Press

05. 02. 2018

Der Tagesspiegel (Frederick Hanssen)

A Chromium Glint

Rachmaninoff also unfolds completely without pathos, since Yutaka Sado devotes his entire attention to making the orchestra sparkle in as many colors as possible. The delicacy with which the slow theme in the central section of the work unfolds under Anika Vavic’s fingers is enchanting. In the brilliant passages, however, the pianist so selflessly subordinates herself to the overall sound that her playing threatens to founder amidst the symphonic tempest roiling around her.

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[ original article ]

Translation: Alexa Nieschlag

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